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			177 lines
		
	
	
	
		
			7.3 KiB
		
	
	
	
		
			TeX
		
	
	
	
	
	
			
		
		
	
	
			177 lines
		
	
	
	
		
			7.3 KiB
		
	
	
	
		
			TeX
		
	
	
	
	
	
| \subsection{Split Editor}
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| When recording an mp3 file, it is common practice to start the recording
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| a little bit early and stop it a little bit late to ensure all the
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| desired sound is recorded. This results in recordings that contain
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| extra snippets of sound and the beginning and end. Unfortunately these
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| snippets can not be deleted easily because they are stored in the same
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| file as the desired recording. The purpose of the split editor is to
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| split a mp3 file (the input file) at a point in time (split point). Two
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| new files can be generated from the input file. The first file contains
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| the part before the split point and the second file contains the part
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| after the split point. Once this process has been successful the
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| original file can be deleted or kept as a backup. 
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| 
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| The whole process of splitting a mp3 file consists of three steps: 
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| 
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| \begin{enumerate}
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| \item defining the split point 
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| \item generating the result files. 
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| \item if desired delete the input file (with the browser, not the split
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| editor) 
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| \end{enumerate}
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| 
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| \subsubsection{How to use the Split Editor}
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| 
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| \begin{itemize}
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| \item \textbf{Pause near the split point}
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| When the device plays the song just hit the PAUSE button, when playback
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| has roughly reached the split point. This need not be very precise as
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| the split point can be fine tuned later.
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| \item \textbf{Open the split editor}
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| 
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| Open the plugin.  A screen similar to the one below will appear. 
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| 
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| {\centering\itshape
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|   [Warning: Image ignored] % Unhandled or unsupported graphics:
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| %\includegraphics[width=3.701cm,height=2.11cm]{images/rockbox-manual-img67.gif}
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|  \newline
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| The Split Editor
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| \par}
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| 
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| {\centering\upshape
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| Here is an explanation of the areas marked in red on the screenshot.
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| \par}
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| 
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| \begin{enumerate}
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| \item The waveform \newline
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| \newline
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| The waveform displays the volume of the song over time. It will appear
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| as the song plays and help to visually identify the point in time where
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| the split is desired
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| \item The split point indicator\newline
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| \newline
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| The split point indicator is a vertical line with a small triangle at
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| the top end. It is the most important control element of the split
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| editor. It can be moved with the LEFT and RIGHT buttons. Later, when
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| you have fine tuned the split point, the song will be split at this
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| position.
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| \item The split time\newline
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| \newline
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| At the top of the window a time value is displayed. This is the point in
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| time within the song at which the split point indicator is positioned. 
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| \item The locator\newline
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| \newline
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| Another vertical bar represents the position locator. It moves along as
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| the song plays. In contrast to the split point indicator it has no
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| triangles at the ends. 
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| \item The time bar\newline
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| \newline
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| The time bar displays the current position within the song relative to
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| the whole song. The entire length of the time bar represents the song
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| length. The length of the solid part of the time bar represents the position and length
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| of the displayed part of the song.
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| \item The scale mode\newline
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| \newline
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| Directly above the F3 button the scale mode is displayed. The waveform
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| can be scaled either logarithmically or linearly. In logarithmic scale
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| mode the letters ``dB'' are displayed, in linear mode ``\%''. Use F3 to
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| switch between these modes. Linear mode usually gives better optical
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| hints with commercially recorded music. For quiet recordings,
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| especially of human speech, the logarithmic scale often is preferable.
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| \item The loop mode \newline
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| \newline
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| Directly above the F2 button the loop mode icon is displayed. There are
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| 4 different loop modes. Pressing F2 changes to the next loop mode. 
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| 
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| \begin{itemize}
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| \item   [Warning: Image ignored] % Unhandled or unsupported graphics:
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| %\includegraphics[width=0.794cm,height=0.476cm]{images/rockbox-manual-img68.gif}
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|   Playback loops around the split point indicator. This mode is best
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| used when searching and zooming for the desired point at which to split
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| the recording. 
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| \item   [Warning: Image ignored] % Unhandled or unsupported graphics:
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| %\includegraphics[width=0.794cm,height=0.476cm]{images/rockbox-manual-img69.gif}
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|   Playback loops from the split point indicator to the end of the
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| visible area. This mode is best used when fine tuning the split
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| indicator position at the beginning of a recording. 
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| \item   [Warning: Image ignored] % Unhandled or unsupported graphics:
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| %\includegraphics[width=0.794cm,height=0.476cm]{images/rockbox-manual-img70.gif}
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|   Playback loops from the beginning of the
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| visible area to the split point. This mode is best used when fine
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| tuning the split indicator position at the end of a recording.
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| \item   [Warning: Image ignored] % Unhandled or unsupported graphics:
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| %\includegraphics[width=0.688cm,height=0.476cm]{images/rockbox-manual-img71.gif}
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|   Playback doesn't loop, the borders of the visible
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| area as well as the split point indicator are ignored. This mode is
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| best used when playing the song outside of the borders of the displayed
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| region. 
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| \end{itemize}
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| 
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| \item Perform the split \newline
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| \newline
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| The icon directly above the F1 button indicates its function to execute
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| the split. When split positioning is complete open the save dialogue with F1.
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| \end{enumerate}
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| 
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| {\bfseries
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| Controls in the split editor }
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| \end{itemize}
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| 
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| \begin{table}[h!]
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| \begin{tabular}{|c|c|c|}
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| \hline
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| Recorder & Ondio & Function \\\hline
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| Off & On/Off & Quit plugin \\\hline
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| Left/Right & Left/Right & Move the split point indicator \\\hline
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| Up/Down & Up/Down & Zoom in / out \\\hline
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| Play & Mode & Play from the split position \\\hline
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| F1 & Mode+Left & Enter the save dialogue \\\hline
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| F2 & Mode+Up & Toggle loop modes \\\hline
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| F3 & Mode+Right & Toggle logarithmic / linear scaling \\\hline
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| On+Left & ~ & Play half speed \\\hline
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| On+Right & ~ & Play 150\% speed \\\hline
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| On+Play & ~ & Play normal speed \\\hline
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| \end{tabular}
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| \end{table}
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| 
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| \subsubsection{Save the files}
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| In the save dialogue it is possible to specify which of the files you
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| want to save and their names.  When finished, select
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| ``Save'' and the files will be written to
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| disk. Note that files can not be overwritten, so filenames that
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| don't exist yet must be chosen. If unsure whether the
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| file already exists simply try to save it. If another file with this
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| name exists the dialogue will return and you can choose another
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| filename
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| 
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| {\centering\itshape
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|   [Warning: Image ignored] % Unhandled or unsupported graphics:
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| %\includegraphics[width=3.701cm,height=2.11cm]{images/rockbox-manual-img72.gif}
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|  \newline
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| Save dialogue
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| \par}
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| 
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| Controls in the save dialogue
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| \begin{table}[h!]
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| \begin{tabular}{|c|c|c|}
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| \hline
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| RECORDER & ONDIO & FUNCTION \\\hline
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| UP/DOWN & UP/DOWN & Select item \\\hline
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| PLAY & RIGHT & Toggle / edit item \\\hline
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| \end{tabular}
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| \end{table}
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| 
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| \subsubsection{Scale}
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| The values in the waveform are scaled according to the settings of the
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| peak meter. These can be altered in the menu
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| \textbf{General Settings {}-{\textgreater} Display{}-{\textgreater} Peak Meter}. If extreme minimum /
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| maximum values are set the waveform might be cut off.  A minimum
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| setting of {}-60 dB and a maximum setting of 0 dB are recommended.
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| These settings should be capable of producing useful waveforms for very
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| soft sounds in logarithmic mode (dB). When the editor is used on loud
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| sounds (such as commercial rock or pop music) switching to the linear
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| scale may prove more effective since the logarithmic scale compresses
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| loud noises and makes it more difficult to identify characteristic
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| shapes. Note that it is always possible to toggle the scale with F3. 
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| 
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| 
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