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			170 lines
		
	
	
	
		
			6.6 KiB
		
	
	
	
		
			TeX
		
	
	
	
	
	
			
		
		
	
	
			170 lines
		
	
	
	
		
			6.6 KiB
		
	
	
	
		
			TeX
		
	
	
	
	
	
| % $Id:$ %
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| \screenshot{main_menu/images/ss-recording-settings}{The recording settings screen}{}
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| 
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| \note{To change the location where recordings are stored open the
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|       \setting{File Menu} (see \reference{ref:Filemenu}) on the directory
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|       where you want to store them in the \setting{File Browser} and select
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|       \setting{Set As Recording Directory}.}
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| 
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| \opt{MASCODEC}{
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|   \section{Quality}
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|     Choose the quality here (0 to 7). Default is 5, best quality is 7,
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|     smallest file size is 0. This setting effects how much your sound
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|     sample will be compressed. Higher quality settings result in larger
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|     MP3 files.
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|     
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|     The quality setting is just a way of selecting an average bit rate,
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|     or number of  bits per second, for a recording.  When  this setting
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|     is lowered, recordings are compressed more (meaning worse sound quality),
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|     and the average bitrate changes as follows.
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|   
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|   \begin{table}[h!]
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|     \begin{center}
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|       \begin{tabularx}{0.75\textwidth}{lX}\toprule
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|         \emph{Frequency} & \emph{Bitrate} (Kbit/s) -- quality 0$\rightarrow$7 \\\midrule
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|         44100Hz stereo   & 75, 80, 90, 100, 120, 140, 160, 170 \\
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|         22050Hz stereo   & 39, 41, 45, 50,  60,  80,  110, 130 \\
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|         44100Hz mono     & 65, 68, 73, 80,  90,  105, 125, 140 \\
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|         22050Hz mono     & 35, 38, 40, 45,  50,  60,  75,  90 \\\bottomrule
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|       \end{tabularx}
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|     \end{center}
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|   \end{table}
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| }
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| 
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| \opt{SWCODEC}{
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|   \section{Format}
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|     Choose which format to save your recording in. The available choices are
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|     the two uncompressed formats \setting{PCM Wave} and \setting{AIFF}, the
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|     losslessly compressed \setting{WavPack} and the lossy
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|     \setting{MPEG Layer 3}.
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| 
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|   \section{Encoder Settings}
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|     This sets the bitrate when using the \setting{MPEG Layer 3} format. And has
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|     no settings for the other formats.
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| }
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| 
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|   \section{Frequency}
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|    \nopt{e200}{
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|     Choose the recording frequency (sample rate).
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|     \opt{MASCODEC}{48kHz, 44.1kHz, 32kHz, 24kHz, 22.05kHz, 16kHz}
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|     \opt{h1xx,h300}{44.1kHz, 22.05kHz and 11.025kHz}
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|     \opt{x5}{88.2kHz, 44.1kHz, 22.05kHz and 11.025kHz}
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|     are available. Higher sample rates use up more disk space, but give better
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|     sound quality.
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|     \opt{SWCODEC}{\note{The 11.025kHz setting is not available when using%
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|       \setting{MPEG Layer 3} format.}
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|     }%
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|     \opt{MASCODEC}{
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|       The frequency setting also determines which version of the MPEG standard
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|       the sound is recorded using:\\
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|       MPEG v1 for 48, 44.1 and 32\\
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|       MPEG v2 for 24, 22.05 and 16\\
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|     }
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|     \opt{recorder,recorderv2fm,h1xx}
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|       {\note{You cannot change the sample rate for digital recordings.}
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|     }
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|    } % nopt e200  
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|    \opt{e200}{ 
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|        Recordings can only be made at a 22.05kHz frequency (sample rate)
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|          on this \dap. 
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|     } % opt e200
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| 
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| \section{Source}
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|   Choose the source of the recording. This can be
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|   \opt{recorder,recorderv2fm,h1xx}{\setting{SPDIF (digital)},}%
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|   \setting{Mic} or \setting{Line In}.
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|   \opt{CONFIG_TUNER}{For recording from the radio see \reference{ref:FMradio}.}
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| 
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| \section{Channels}
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|   This allows you to select mono or stereo recording. Please note that
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|   for mono recording, only the left channel is recorded. Mono recordings
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|   are usually somewhat smaller than stereo.
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| 
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| \opt{MASCODEC}{
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|   \section{Independent Frames}
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|     The independent frames option tells the \dap{} to encode with the bit
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|     reservoir disabled, so the frames are independent of each other. This
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|     makes a file easier to edit.
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| }
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|       
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| \section{File Split Options}
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|   This sub menu contains options for file splitting, which can be used to split
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|   up long recordings into manageable pieces. The splits are seamless (frame
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|   accurate), no audio is lost at the split point. The break between recordings
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|   is only the time required to stop and restart the recording, on the order of
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|   2 -- 4 seconds.
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|   \begin{description}
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|     \item[Split Measure:]
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|       This option controls wether to split the recording when the
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|       \setting{Split Filesize} is reached or when the
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|       \setting{Split Time} has elapsed.
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| 
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|     \item[What to do when Splitting:]
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|       This controls what will happend when the splitting condition is
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|       fullfilled the two available options here are
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|       \setting{Start a new file} or \setting{Stop recording}.
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| 
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|     \item[Split Time:]
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|       Set the time to record between each split, if time is used as
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|       \setting{Split Measure}.\\
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|       Options (hours:minutes between splits): Off, 00:05, 00:10, 00:15, 00:30,
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|       1:00, 1:14 (74 minute  CD), 1:20 (80 minute CD), 2:00, 4:00, 8:00, 10:00,
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|       12:00, 18:00, 24:00.
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| 
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|     \item[Split Filesize:]
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|       Set the filesize to record between each split, if filesize is used as
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|       \setting{Split Measure}.
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| 
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|   \end{description}
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| 
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| \section{Prerecord Time}
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|     This setting buffers a small amount of audio so that when the record button
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|     is pressed, the recording will begin from that number of seconds earlier.
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|     This is useful for ensuring that a recording begins before a cue that is
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|     being waited for.
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| 
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| \section{Clear Recording Directory}
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|     Resets the location where the recorded files are saved to the root of your
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|     \daps{} drive.
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| 
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| \nopt{ondio}{
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|   \section{Clipping Light}
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|     Causes the backlight to flash on when clipping has been detected.\\
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|     Options: \setting{Off}, \setting{Main unit only},
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|     \setting{Main and remote unit}, \setting{Remote unit only}.
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| }
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|   \section{Trigger}
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|     \fixme{Add description of triggered recording.}
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| 
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| \opt{h1xx,h300}{%
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|   \section{Automatic Gain Control}
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|     The \setting{Automatic Gain Control} has five different presets for
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|     automatically controlling the gain while recording.
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|     \begin{description}
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|       \item[Safety (clip):]
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|         This preset will lower the gain when the levels get too high (-1dB)
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|         and will never increase gain.
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|         
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|       \item[Live (slow):]
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|         This preset is designed to be used for recording of live shows and has
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|         quite large headroom for loud parts. It heads for a nominal target peak
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|         level of -9dB and will slowly increase or decrease gain to reach it.
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|         
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|       \item[DJ-Set (slow):]
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|         This preset heads for a nominal target peak level of -5dB and will
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|         slowly increase or decrease gain to reach it.
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|         
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|       \item[Medium:]
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|         This preset heads for a nominal target peak level of -6dB and will
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|         increase or decrease gain to reach it.
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| 
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|       \item[Voice (fast):]
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|         This preset is designed to be used for voice recording and heads for a
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|         nominal target peak level of -7dB and will quickly increase or
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|         decrease gain to reach it.
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|     \end{description}
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| 
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|   \section{AGC clip time}
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|     This setting controls how long the level is too loud or soft before the
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|     \setting{Automatic Gain Control} kicks in.
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| }%
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