forked from len0rd/rockbox
Clean up, remove tab characters
git-svn-id: svn://svn.rockbox.org/rockbox/trunk@11242 a1c6a512-1295-4272-9138-f99709370657
This commit is contained in:
parent
d77ae1d555
commit
b109969fcd
1 changed files with 84 additions and 82 deletions
|
@ -7,9 +7,9 @@ change to customize your listening experience.
|
||||||
\section{Volume}
|
\section{Volume}
|
||||||
This setting adjusts the volume of your music. Like most professional
|
This setting adjusts the volume of your music. Like most professional
|
||||||
audio gear and many consumer audio products, Rockbox uses a decibel scale
|
audio gear and many consumer audio products, Rockbox uses a decibel scale
|
||||||
where 0 dB is a reference that indicates the maximum volume that the \dap\
|
where 0 dB is a reference that indicates the maximum volume that the \dap{}
|
||||||
can produce without possible distortion (clipping). All values lower than this
|
can produce without possible distortion (clipping). All values lower than
|
||||||
reference will be negative and yield a progressively softer volume.
|
this reference will be negative and yield a progressively softer volume.
|
||||||
\opt{player, recorder, recorderv2fm, ondio, ipodnano, ipodvideo}{
|
\opt{player, recorder, recorderv2fm, ondio, ipodnano, ipodvideo}{
|
||||||
Values higher than 0 dB are available and can be used to raise the
|
Values higher than 0 dB are available and can be used to raise the
|
||||||
volume more than would otherwise be possible. These volume levels will
|
volume more than would otherwise be possible. These volume levels will
|
||||||
|
@ -86,9 +86,9 @@ change to customize your listening experience.
|
||||||
Karaoke
|
Karaoke
|
||||||
& Removes all sound that is the same in both channels. Since most
|
& Removes all sound that is the same in both channels. Since most
|
||||||
music is recorded with vocals being equally present in both channels
|
music is recorded with vocals being equally present in both channels
|
||||||
to make the singer sound centrally placed, this often (but not always)
|
to make the singer sound centrally placed, this often (but not
|
||||||
has the effect of removing the voice track from a song. This setting
|
always) has the effect of removing the voice track from a song. This
|
||||||
also very often has other undesirable effects on the sound. \\
|
setting also very often has other undesirable effects on the sound. \\
|
||||||
\bottomrule
|
\bottomrule
|
||||||
\end{tabularx}
|
\end{tabularx}
|
||||||
\end{center}
|
\end{center}
|
||||||
|
@ -97,12 +97,12 @@ change to customize your listening experience.
|
||||||
\section{Stereo Width}
|
\section{Stereo Width}
|
||||||
Stereo width allows you to manually specify the effect that is applied
|
Stereo width allows you to manually specify the effect that is applied
|
||||||
when the \setting{Channels} setting is set to \setting{Custom}.
|
when the \setting{Channels} setting is set to \setting{Custom}.
|
||||||
All values below 100\% will progressively mix the contents of one channel into
|
All values below 100\% will progressively mix the contents of one channel
|
||||||
the other. This has the effect of gradually centering the stereo image, until
|
into the other. This has the effect of gradually centering the stereo image,
|
||||||
you have monophonic sound at 0\%. Values above 100\% will progressively remove
|
until you have monophonic sound at 0\%. Values above 100\% will progressively
|
||||||
components in one channel that is also present in the other. This has the
|
remove components in one channel that is also present in the other. This has
|
||||||
effect of widening the stereo field. A value of 100\% will leave the stereo
|
the effect of widening the stereo field. A value of 100\% will leave the
|
||||||
field unaltered.
|
stereo field unaltered.
|
||||||
|
|
||||||
\opt{recorder,recorderv2fm}{
|
\opt{recorder,recorderv2fm}{
|
||||||
\section{Loudness}
|
\section{Loudness}
|
||||||
|
@ -214,9 +214,9 @@ change to customize your listening experience.
|
||||||
versa in order to simulate the spatial cues that the ear and brain receive
|
versa in order to simulate the spatial cues that the ear and brain receive
|
||||||
when listening to a set of loudspeakers placed in front of the listener. The
|
when listening to a set of loudspeakers placed in front of the listener. The
|
||||||
result is a more natural stereo image that can be especially appreciated in
|
result is a more natural stereo image that can be especially appreciated in
|
||||||
older rock and jazz records, where one instrument is often hard-panned to just
|
older rock and jazz records, where one instrument is often hard-panned to
|
||||||
one of the speakers. Many people will find such records tiring to listen to
|
just one of the speakers. Many people will find such records tiring to listen
|
||||||
using earphones and no crossfeed effect.
|
to using earphones and no crossfeed effect.
|
||||||
|
|
||||||
Crossfeed has the following settings.
|
Crossfeed has the following settings.
|
||||||
\begin{description}
|
\begin{description}
|
||||||
|
@ -234,7 +234,8 @@ change to customize your listening experience.
|
||||||
of both this setting and the \setting{Cross Gain} setting.
|
of both this setting and the \setting{Cross Gain} setting.
|
||||||
\item[High-Frequency Cutoff]
|
\item[High-Frequency Cutoff]
|
||||||
Decides at which frequency the cross path audio will start to be cut
|
Decides at which frequency the cross path audio will start to be cut
|
||||||
by the amount described by the \setting{High-Frequency Attenuation} setting.
|
by the amount described by the \setting{High-Frequency Attenuation}
|
||||||
|
setting.
|
||||||
\end{description}
|
\end{description}
|
||||||
|
|
||||||
Most users will find the default settings to yield satisfactory results, but
|
Most users will find the default settings to yield satisfactory results, but
|
||||||
|
@ -342,28 +343,29 @@ change to customize your listening experience.
|
||||||
\item[Pre-cut:]
|
\item[Pre-cut:]
|
||||||
If too much gain is added through the graphical EQ, your music may distort.
|
If too much gain is added through the graphical EQ, your music may distort.
|
||||||
The \setting{Precut} setting allows you to adjust the overall gain of the EQ.
|
The \setting{Precut} setting allows you to adjust the overall gain of the EQ.
|
||||||
|
|
||||||
If your music distorts when using the EQ, trying changing this setting to a
|
If your music distorts when using the EQ, trying changing this setting to a
|
||||||
negative value.
|
negative value.
|
||||||
|
|
||||||
\item[Simple EQ:]
|
\item[Simple EQ:]
|
||||||
This option provides an easier alternative for those who are daunted by all of
|
This option provides an easier alternative for those who are daunted by all of
|
||||||
the parameters that can be adjusted using the graphical EQ. With the
|
the parameters that can be adjusted using the graphical EQ. With the
|
||||||
\setting{Simple EQ}, the only parameter that can be adjusted is the gain.
|
\setting{Simple EQ}, the only parameter that can be adjusted is the gain.
|
||||||
|
|
||||||
\item[Advanced EQ:]
|
\item[Advanced EQ:]
|
||||||
This submenu provides options for adjusting the same parameters as the
|
This submenu provides options for adjusting the same parameters as the
|
||||||
\setting{Graphical EQ}. The only difference is that the parameters are
|
\setting{Graphical EQ}. The only difference is that the parameters are
|
||||||
adjusted through textual menus rather than through a graphic interface.
|
adjusted through textual menus rather than through a graphic interface.
|
||||||
|
|
||||||
\item[Save EQ Preset:]
|
\item[Save EQ Preset:]
|
||||||
This option saves the current EQ configuration in a \fname{.cfg} file.
|
This option saves the current EQ configuration in a \fname{.cfg} file.
|
||||||
|
|
||||||
\item[Browse EQ Presets:]
|
\item[Browse EQ Presets:]
|
||||||
This menu displays a list EQ presets, as well as any EQ configurations saved
|
This menu displays a list EQ presets, as well as any EQ configurations saved
|
||||||
using the \setting{Save EQ Preset} option. Users unfamiliar with the
|
using the \setting{Save EQ Preset} option. Users unfamiliar with the
|
||||||
operation of a parametric EQ may wish to use the presets instead of trying to
|
operation of a parametric EQ may wish to use the presets instead of trying to
|
||||||
configure the EQ, or use the presets for designing their own custom EQ
|
configure the EQ, or use the presets for designing their own custom EQ
|
||||||
settings.
|
settings.
|
||||||
|
|
||||||
\end{description}
|
\end{description}
|
||||||
}
|
}
|
||||||
|
@ -371,14 +373,14 @@ change to customize your listening experience.
|
||||||
\opt{ipodvideo}{
|
\opt{ipodvideo}{
|
||||||
\section{Hardware EQ}
|
\section{Hardware EQ}
|
||||||
|
|
||||||
This function controls the EQ that is built into the hardware of your
|
This function controls the EQ that is built into the hardware of your
|
||||||
\playerman{}. The hardware EQ functions similarly to the Graphical EQ in that
|
\playerman{}. The hardware EQ functions similarly to the Graphical EQ in that
|
||||||
it allows adjustmnet of several parameters. However, unlike the Graphical EQ,
|
it allows adjustmnet of several parameters. However, unlike the Graphical EQ,
|
||||||
the Hardware EQ allows the user to choose from a limited number of settings
|
the Hardware EQ allows the user to choose from a limited number of settings
|
||||||
for ``Center Frequency'' and ``Bandwidth'' (``Bandwidth'' in the Hardware EQ
|
for ``Center Frequency'' and ``Bandwidth'' (``Bandwidth'' in the Hardware EQ
|
||||||
is similar to ``Q'' in the Graphical EQ).
|
is similar to ``Q'' in the Graphical EQ).
|
||||||
|
|
||||||
\note{While the \setting{Hardware EQ} menu shows Low Shelf, three peaking
|
\note{While the \setting{Hardware EQ} menu shows Low Shelf, three peaking
|
||||||
filters, and High Shelf, the peaking filters are not currently operational.}
|
filters, and High Shelf, the peaking filters are not currently operational.}
|
||||||
|
|
||||||
}
|
}
|
||||||
|
|
Loading…
Add table
Add a link
Reference in a new issue