forked from len0rd/rockbox
Consistent use of Hz, kHz, dB, dbFS, ms, s and min. Add spaces between number and unit -- e.g. '5 dB'.
git-svn-id: svn://svn.rockbox.org/rockbox/trunk@25648 a1c6a512-1295-4272-9138-f99709370657
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9 changed files with 55 additions and 54 deletions
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@ -73,7 +73,7 @@ The recording hardware (the MAS) does not allow us to do this
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The mp3{}-decoding hardware cannot decode OGG. It can be reprogrammed, but
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there is too little memory for OGG and we have no documentation on how to
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program the MAS' DSP. Doing the conversion with the CPU is impossible, since
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a 12MHz SH1 is far too slow for this daunting task.
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a 12 MHz SH1 is far too slow for this daunting task.
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\item Archos Multimedia support.\\
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The Archos Multimedia is a completely different beast. It is an entirely
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different architecture, different CPU and upgrading the software is done
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@ -158,7 +158,7 @@
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replaygain noclip
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& on, off & N/A\\
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replaygain preamp
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& -120 to 120 & 0.1dB\\
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& -120 to 120 & 0.1 dB\\
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%
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\opt{crossfade}{
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crossfade & off, auto track change, man track skip, shuffle,
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@ -178,16 +178,16 @@
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%
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crossfeed & on, off & N/A\\
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crossfeed direct gain
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& 0 to 60 & 0.1dB\\
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& 0 to 60 & 0.1 dB\\
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crossfeed cross gain
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& 30 to 120 & 0.1dB\\
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& 30 to 120 & 0.1 dB\\
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crossfeed hf attenuation
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& 60 to 240 & 0.1dB\\
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& 60 to 240 & 0.1 dB\\
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crossfeed hf cutoff
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& 500 to 2000 & Hz\\
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%
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eq enabled & on, off & N/A\\
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eq precut & 0 to 240 & 0.1dB\\
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eq precut & 0 to 240 & 0.1 dB\\
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eq band 0 cutoff & 0 to 32768 & Hz\\
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eq band 1 cutoff & 0 to 32768 & Hz\\
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eq band 2 cutoff & 0 to 32768 & Hz\\
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@ -198,11 +198,11 @@
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eq band 2 q & 0 to 64 & N/A\\
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eq band 3 q & 0 to 64 & N/A\\
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eq band 4 q & 0 to 64 & N/A\\
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eq band 0 gain & -240 to 240 & 0.1dB\\
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eq band 1 gain & -240 to 240 & 0.1dB\\
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eq band 2 gain & -240 to 240 & 0.1dB\\
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eq band 3 gain & -240 to 240 & 0.1dB\\
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eq band 4 gain & -240 to 240 & 0.1dB\\
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eq band 0 gain & -240 to 240 & 0.1 dB\\
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eq band 1 gain & -240 to 240 & 0.1 dB\\
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eq band 2 gain & -240 to 240 & 0.1 dB\\
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eq band 3 gain & -240 to 240 & 0.1 dB\\
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eq band 4 gain & -240 to 240 & 0.1 dB\\
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%
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dithering enabled & on, off & N/A\\
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%
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@ -226,7 +226,7 @@
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\opt{masf}{
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loudness & 0 to 17 & N/A\\
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superbass & on, off & N/A\\
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auto volume & off, 20ms, 2s, 4s, 8s
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auto volume & off, 20 ms, 2 s, 4 s, 8 s
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& seconds\\
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mdb enable & on,off & N/A\\
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mdb strength & 0 to 127 & dB\\
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@ -357,7 +357,7 @@
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jump scroll
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& 0 to 5 & N/A\\
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jump scroll delay
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& 0 to 250 & 0.01s\\
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& 0 to 250 & 0.01 s\\
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}%
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\bottomrule
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@ -87,7 +87,7 @@ show the information for the next song to be played.
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Ogg Vorbis (OGG), FLAC, MPC, AC3, WavPack (WV), ALAC, AAC,
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Shorten (SHN), SID, ADX, NSF, Speex, SPC, APE, WMA, MOD, SAP.\\
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\config{\%ff} & File Frequency (in Hz)\\
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\config{\%fk} & File Frequency (in KHz)\\
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\config{\%fk} & File Frequency (in kHz)\\
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\config{\%fm} & File Name\\
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\config{\%fn} & File Name (without extension)\\
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\config{\%fp} & File Path\\
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@ -32,14 +32,15 @@
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\item[Backlight Fade In.]
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The amount of time that the backlight will take to fade from off to on
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after a button is pressed. If set to \setting{Off} the backlight will
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turn on immediately, with no fade in. Can also be set to \setting{500ms},
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\setting{1s} or \setting{2s}.
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turn on immediately, with no fade in. Can also be set to
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\setting{500 ms}, \setting{1 s} or \setting{2 s}.
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\item[Backlight Fade Out.]
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Like Backlight fade in, this controls the amount of time that the
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backlight will take to fade from on to off after a button is pressed. If
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set to \setting{Off} the backlight will turn off immediately, with no
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fade out. Other valid values: \setting{500ms}, \setting{1s},
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\setting{2s}, \setting{3s}, \setting{4s}, \setting{5s} or \setting{10s}.
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fade out. Other valid values: \setting{500 ms}, \setting{1 s},
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\setting{2 s}, \setting{3 s}, \setting{4 s}, \setting{5 s} or
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\setting{10 s}.
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}
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\opt{backlight_fade_bool}{
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\item[Backlight Fade In.]
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@ -199,10 +200,10 @@
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\item[Peak Release.]
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This determines how fast the bar shrinks when the music becomes
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softer. Lower values make the peak meter look smoother.
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Expressed in scale units per 10ms.
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Expressed in scale units per 10 ms.
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\item[Peak Hold Time.]
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Specifies the time after which the peak indicator will reset.
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For example, if you set this value to 5s, the peak indicator displays
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For example, if you set this value to 5 s, the peak indicator displays
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the loudest volume value that occurred within the last 5 seconds.
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Larger values are useful if you want to find the peak level of a song,
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which might be of interest when copying music from the \dap\ via the
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@ -194,7 +194,7 @@ you to configure settings related to audio playback.
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much, so here you can compensate for that. Please note that a
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(large) positive pre-amp setting can cause clipping, unless
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prevent clipping is enabled. The pre-amp can be set to any
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decibel (dB) value between -12dB and +12dB, in increments of 0.5dB.
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decibel (dB) value between -12 dB and +12 dB, in increments of 0.5 dB.
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\end{description}
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\section{Track Skip Beep}
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@ -21,10 +21,10 @@
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\begin{table}[h!]
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\begin{rbtabular}{0.75\textwidth}{lX}%
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{\emph{Frequency} & \emph{Bitrate} (Kbit/s) -- quality 0$\rightarrow$7}{}{}
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44100Hz stereo & 75, 80, 90, 100, 120, 140, 160, 170 \\
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22050Hz stereo & 39, 41, 45, 50, 60, 80, 110, 130 \\
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44100Hz mono & 65, 68, 73, 80, 90, 105, 125, 140 \\
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22050Hz mono & 35, 38, 40, 45, 50, 60, 75, 90 \\
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44100 Hz stereo & 75, 80, 90, 100, 120, 140, 160, 170 \\
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22050 Hz stereo & 39, 41, 45, 50, 60, 80, 110, 130 \\
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44100 Hz mono & 65, 68, 73, 80, 90, 105, 125, 140 \\
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22050 Hz mono & 35, 38, 40, 45, 50, 60, 75, 90 \\
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\end{rbtabular}
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\end{table}
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}
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@ -44,30 +44,30 @@
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\section{Frequency}
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\nopt{sansa}{
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Choose the recording frequency (sample rate).
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\opt{masf}{48kHz, 44.1kHz, 32kHz, 24kHz, 22.05kHz, 16kHz}
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\opt{h100,h300}{44.1kHz, 22.05kHz and 11.025kHz}
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\opt{x5}{88.2kHz, 44.1kHz, 22.05kHz and 11.025kHz}
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\opt{sansaAMS}{96kHz, 88.2kHz, 64kHz, 48kHz, 44.1kHz, 32kHz, 24kHz, %
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22.05kHz, 16kHz, 12kHz, 11.025kHz and 8kHz}
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\opt{gigabeats}{48kHz, 44.1kHz, 32kHz, 24kHz, 22.05kHz, 16kHz, 12kHz, %
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11.025kHz and 8kHz}
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\opt{masf}{48 kHz, 44.1 kHz, 32 kHz, 24 kHz, 22.05 kHz, 16 kHz}
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\opt{h100,h300}{44.1 kHz, 22.05 kHz and 11.025 kHz}
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\opt{x5}{88.2 kHz, 44.1 kHz, 22.05 kHz and 11.025 kHz}
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\opt{sansaAMS}{96 kHz, 88.2 kHz, 64 kHz, 48 kHz, 44.1 kHz, 32 kHz, 24 kHz, %
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22.05 kHz, 16 kHz, 12 kHz, 11.025 kHz and 8 kHz}
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\opt{gigabeats}{48 kHz, 44.1 kHz, 32 kHz, 24 kHz, 22.05 kHz, 16 kHz, 12 kHz, %
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11.025 kHz and 8 kHz}
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are available. Higher sample rates use up more disk space, but give better
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sound quality.
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\opt{swcodec}{\note{The 11.025kHz setting is not available when using %
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\opt{swcodec}{\note{The 11.025 kHz setting is not available when using %
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\setting{MPEG Layer 3} format.}
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}%
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\opt{masf}{
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The frequency setting also determines which version of the MPEG standard
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the sound is recorded using:\\
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MPEG v1 for 48, 44.1 and 32\\
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MPEG v2 for 24, 22.05 and 16\\
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MPEG v1 for 48 kHz, 44.1 kHz and 32 kHz.\\
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MPEG v2 for 24 kHz, 22.05 kHz and 16 kHz.\\
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}
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\opt{recorder,recorderv2fm,h100}
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{\note{You cannot change the sample rate for digital recordings.}
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}
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} % nopt sansa
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\opt{sansa}{
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Recordings can only be made at a 22.05kHz frequency (sample rate)
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Recordings can only be made at a 22.05 kHz frequency (sample rate)
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on this \dap.
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} % opt sansa
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@ -242,25 +242,25 @@ More information can be found at \wikilink{VolumeTriggeredRecording}.
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automatically controlling the gain while recording.
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\begin{description}
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\item[Safety (clip).]
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This preset will lower the gain when the levels get too high (-1dB)
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This preset will lower the gain when the levels get too high (-1 dB)
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and will never increase gain.
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\item[Live (slow).]
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This preset is designed to be used for recording of live shows and has
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quite large headroom for loud parts. It heads for a nominal target peak
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level of -9dB and will slowly increase or decrease gain to reach it.
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level of -9 dB and will slowly increase or decrease gain to reach it.
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\item[DJ-Set (slow).]
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This preset heads for a nominal target peak level of -5dB and will
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This preset heads for a nominal target peak level of -5 dB and will
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slowly increase or decrease gain to reach it.
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\item[Medium.]
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This preset heads for a nominal target peak level of -6dB and will
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This preset heads for a nominal target peak level of -6 dB and will
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increase or decrease gain to reach it.
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\item[Voice (fast).]
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This preset is designed to be used for voice recording and heads for a
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nominal target peak level of -7dB and will quickly increase or
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nominal target peak level of -7 dB and will quickly increase or
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decrease gain to reach it.
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\end{description}
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@ -24,7 +24,7 @@ change to customise your listening experience.
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\opt{ipodnano}{minimum of -72 dB to a maximum of +6 dB.}%
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\opt{ipodvideo}{minimum of -89 dB to a maximum of +6 dB.}%
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\opt{ipodnano2g,ipodcolor,ipod1g2g,h10,h10_5gb,sansa,sansaAMS}{minimum of
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-74 dB to a maximum of +6 db.}%
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-74 dB to a maximum of +6 dB.}%
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\opt{gigabeats}{minimum of -90 dB to a maximum of +6 dB.}%
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\opt{gigabeatf}{minimum of -74 dB to a maximum of +6 dB.}%
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\opt{ipodvideo}{\\Remark: Lowering the volume below -57 dB will also affect the line-out
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Auto volume is a feature that automatically lowers the volume on loud parts,
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and then slowly restores the volume to the previous level over a time
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interval. This setting allows this time interval to be configured. Short
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values like 20ms are useful for ensuring a constant volume for in-car use and
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values like 20 ms are useful for ensuring a constant volume for in-car use and
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other applications where background noise makes a constant loudness desirable.
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A longer timeout means that the change in volume back to the previous level
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will be smoother, so there will be fewer sharp changes in volume level.
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This setting changes the threshold at which bass frequencies are affected by
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the \setting{Loudness} setting, making the sound of drums and bass guitar
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louder in comparison to the rest of the sound. This setting only has an
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effect if \setting{Loudness} is set to a value larger than 0dB.
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effect if \setting{Loudness} is set to a value larger than 0 dB.
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}
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\opt{masf}{
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@ -199,10 +199,10 @@ change to customise your listening experience.
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%
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\begin{table}[h!]
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\begin{rbtabular}{0.5\textwidth}{Xc}{Setting & Value}{}{}
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MDB Strength & 50dB \\
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MDB Strength & 50 dB \\
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MDB Harmonics & 48\% \\
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MDB Centre Frequency & 60Hz \\
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MDB Shape & 90Hz \\
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MDB Centre Frequency & 60 Hz \\
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MDB Shape & 90 Hz \\
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\end{rbtabular}
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\end{table}
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the input signal is reduced appropriately, but the gain isn't allowed to
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immediately return to normal levels. This is necessary to reduce artifacts
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such as "pumping." Instead, the gain is allowed to return to normal at the
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chosen rate. Release Time is the time for the gain to recover by 10dB.
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chosen rate. Release Time is the time for the gain to recover by 10 dB.
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}
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@ -81,7 +81,7 @@ Display Options Menu
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video is full-screen this means it will get overwritten by the video and
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appear to flash once per second) the average number of frames decoded per
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second, the total number of frames skipped (see the Skip Frames option),
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the current time (in 100Hz ticks) and the time the current frame is due to
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the current time (in 100 Hz ticks) and the time the current frame is due to
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be displayed.
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\item[Limit FPS] (default: on) With this option disabled, mpegplayer will
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display the video as fast as it can. Useful for benchmarking.
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@ -202,9 +202,9 @@ your WPS (While Playing Screen).
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\item [The scale:]
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Between the indicators of the right and left channel there are little dots.
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These dots represent important volume values. In linear mode each dot is a
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10\% mark. In dbfs mode the dots represent the following values (from right
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to left): 0db, {}-3db, {}-6db, {}-9db, {}-12db, {}-18db, {}-24db, {}-30db,
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{}-40db, {}-50db, {}-60db.
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10\% mark. In dBFS mode the dots represent the following values (from right
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to left): 0 dB, {}-3 dB, {}-6 dB, {}-9 dB, {}-12 dB, {}-18 dB, {}-24 dB, {}-30 dB,
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{}-40 dB, {}-50 dB, {}-60 dB.
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\end{description}
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}
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\subsection{\label{sec:contextmenu}The WPS Context Menu}
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